Meet Kelsey, a dedicated Voice and Piano Teacher. She helps students of all ages develop their musical talents. With experience and a personalized approach, Kelsey guides them to grow and reach their full potential in voice and piano.
Quick Facts about Kelsey
- Teaches Voice and Beginning Piano
- Specializes in pop singing techniques, musical theater repertoire, choral and classical music
- Works with both children and adults
- Experience working with neurodivergent kids and adults
- Experience with guitar
- Musical theater vocal technique training, 3+ years of choral work and leading soprano
- Minor in music focusing on classical operatic singing technique at Seattle University sectionals
Learn more about Kelsey
General Teaching Style
I have musical theater vocal technique training, years of choral work and leading soprano sectionals, additionally, I received a minor in music focusing on classical operatic singing technique at Seattle University. Recently I have been singing a lot of jazz and having fun with pop and rock themes.
Through working with professionals in different areas of music I have been able to take the techniques and learning styles I found worked best to create an authentic learning experience that allows the student to find their own unique voice.
My goal is to lean into the individuals best learning style and adapt the curriculum to best fit how their brain works.
What I found is a combination of Dalcroze Eurhythmics, encouraging the embodiment of music through movement and ear training as well as the Kodály Method of learning singing along with another instrument (piano) work best.
I have a lot of experience working with younger children in educational settings and feel confident that I can create a fun and engaging experience for them. I would love to work with more advanced singers and have fun working on riffs, runs, trills and adlibs. In this category female voices are more approachable for me. I also am just so jazzed about music I think people can see that and start to recognize it in themselves.
Curriculum
I believe that a foundation of music theory allows a singer to push the boundaries of their musical expression. Understanding intervals and being able to sight read music and rhythm is helpful in building confidence and a strong voice. A deeper understanding of the "rules" of music can inspire breaking them, which can make some pretty cool art.
I would love to teach pop singing techniques and feel confident in musical theater repertoire as well as choral/classical music.
Top 3 Desert Island Albums
The Last Dinner Party - Prelude to Ecstasy
Mulatu Astatke - Story of Ethio Jazz 1965-1975
Jenny Lewis - Voyager
Comforting and Adaptable Teacher
A comfortable learning environment is very important and I believe I do a good job at creating a safe space for people to express themselves freely. I am good at recognizing different ways in which someone learns best and then adapting to follow their lead. I excel at teaching proper vocal placement techniques to find the singer's head, mix and chest voice.
Focus & Goals of the First Lesson
To begin, I will ask about the students singing experience, what the student is hoping to gain through this class and what music is exciting them at the moment. We will do a quick body shake out, a breathing exercise, and wake up the voice with a warm up or two. Then I will offer some song ideas that could fit their vocal range, level of singing and music interest so we can get some singing in!
Most Inspirational Music Moments and Experiences
Every time I get the opportunity to see live music I am inspired all over again and to witness a powerful vocalist feels spiritual to me. I am alway drawn back to the very first time I saw Wicked live at the Pantages theater in LA. I was maybe 10 years old and I had never heard something as glorious and powerful as Elphaba singing "The Wizard and I". The resurgence of Wicked and Cynthia Erivo's performance of that song brings me to tears every time because I think of little me in that plushy, velvet theater chair knowing that one day I would sing on a stage and feel that feeling again.